EYCK, Jan van
Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.
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EYCK, Jan van Angel of the Annunciation oil painting


Angel of the Annunciation
1432 Oil on wood
Painting ID::  32324 		EYCK, Jan van
Angel of the Annunciation
1432 Oil on wood
   
   
     
EYCK, Jan van Prophet Zacharias oil painting


Prophet Zacharias
1432 Oil on wood
Painting ID::  32325 		EYCK, Jan van
Prophet Zacharias
1432 Oil on wood
   
   
     
EYCK, Jan van Erythraean Sibyl oil painting


Erythraean Sibyl
1432 Oil on wood
Painting ID::  32326 		EYCK, Jan van
Erythraean Sibyl
1432 Oil on wood
   
   
     
EYCK, Jan van Singing Angels oil painting


Singing Angels
1427-29 Oil on wood, 164,5 x 71,5 cm
Painting ID::  32327 		EYCK, Jan van
Singing Angels
1427-29 Oil on wood, 164,5 x 71,5 cm
   
   
     
EYCK, Jan van Cumaean Sibyl oil painting


Cumaean Sibyl
1432 Oil on wood
Painting ID::  32328 		EYCK, Jan van
Cumaean Sibyl
1432 Oil on wood
   
   
     
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     EYCK, Jan van
     Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.

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